Plots Béton Pour Terrasse
2021年4月7日Register here: http://gg.gg/oygty
*Plots B V
*Plots B =
*Plots B 2
Find plots and land for Sale in B-17 Islamabad through Zameen.com, Pakistan’s largest website for plots - Pg 3. Student often wonder how can they plot a scatter plot. Typically, a scatterplot will be made using some sort of computational software, like Excel. Usually, the styles and color schemes may change a bit, but in general terms the scatter plot you can make with this grapher looks very similar to those provided by Excel or any other different.Disciplines > Storytelling > Plots > Tobias’ 20 PlotsThe 20 Plots | See also
Ronald Tobias, in his popular and practical book, 20 Master Plots, and how to build them, describes 20 common story plots and gives lots of detail on how to construct complete stories around them.The 20 Plots1. Quest
The hero searches for something, someone, or somewhere. In reality, they may be searching for themselves, with the outer journey mirrored internally. They may be joined by a companion, who takes care of minor detail and whose limitations contrast with the hero’s greater qualities.2. Adventure
The protagonist goes on an adventure, much like a quest, but with less of a focus on the end goal or the personal development of hero hero. In the adventure, there is more action for action’s sake. 3. Pursuit
In this plot, the focus is on chase, with one person chasing another (and perhaps with multiple and alternating chase). The pursued person may be often cornered and somehow escape, so that the pursuit can continue. Depending on the story, the pursued person may be caught or may escape. 4. Rescue
In the rescue, somebody is captured, who must be released by the hero or heroic party. A triangle may form between the protagonist, the antagonist and the victim. There may be a grand duel between the protagonist and antagonist, after which the victim is freed. 5. Escape
In a kind of reversal of the rescue, a person must escape, perhaps with little help from others. In this, there may well be elements of capture and unjust imprisonment. There may also be a pursuit after the escape. 6. Revenge
In the revenge plot, a wronged person seeks retribution against the person or organization which has betrayed or otherwise harmed them or loved ones, physically or emotionally. This plot depends on moral outrage for gaining sympathy from the audience. 7. The Riddle
The riddle plot entertains the audience and challenges them to find the solution before the hero, who steadily and carefully uncovers clues and hence the final solution. The story may also be spiced up with terrible consequences if the riddle is not solved in time. 8. Rivalry
In rivalry, two people or groups are set as competitors that may be good hearted or as bitter enemies. Rivals often face a zero-sum game, in which there can only be one winner, for example where they compete for a scarce resource or the heart of a single other person. 9. Underdog
The underdog plot is similar to rivalry, but where one person (usually the hero) has less advantage and might normally be expected to lose. The underdog usually wins through greater tenacity and determination (and perhaps with the help of friendly others). 10. Temptation
In the temptation plot, a person is tempted by something that, if taken, would somehow diminish them, often morally. Their battle is thus internal, fighting against their inner voices which tell them to succumb.Plots B V 11. Metamorphosis
In this fantastic plot, the protagonist is physically transformed, perhaps into beast or perhaps into some spiritual or alien form. The story may then continue with the changed person struggling to be released or to use their new form for some particular purpose. Eventually, the hero is released, perhaps through some great act of love. 12. Transformation
The transformation plot leads to change of a person in some way, often driven by unexpected circumstance or event. After setbacks, the person learns and usually becomes something better. 13. Maturation
The maturation plot is a special form of transformation, in which a person grows up. The veils of younger times are lost as they learn and grow. Thus the rudderless youth finds meaning or perhaps an older person re-finds their purpose. Plots B = 14. LovePlots B 2
The love story is a perennial tale of lovers finding one another, perhaps through a background of danger and woe. Along the way, they become separated in some way, but eventually come together in a final joyous reunion. 15. Forbidden Love
The story of forbidden love happens when lovers are breaking some social rules, such as in an adulterous relationship or worse. The story may thus turn around their inner conflicts and the effects of others discovering their tryst. 16. Sacrifice
In sacrifice, the nobler elements of the human sprit are extolled as someone gives much more than most people would give. The person may not start with the intent of personal sacrifice and may thus be an unintentional hero, thus emphasizing the heroic nature of the choice and act. 17. Discovery
The discovery plot is strongly focused on the character of the hero who discovers something great or terrible and hence must make a difficult choice. The importance of the discovery might not be known at first and the process of revelation be important to the story. 18. Wretched Excess
In stories of wretched excess, the protagonist goes beyond normally accepted behavior as the world looks on, horrified, perhaps in realization that ’there before the grace of God go I’ and that the veneer of civilization is indeed thin. 19. Ascension
In the ascension plot, the protagonist starts in the virtual gutter, as a sinner of some kind. The plot then shows their ascension to becoming a better person, often in response to stress that would defeat a normal person. Thus they achieve deserved heroic status. 20. Descension
In the opposite to ascension, a person of initially high standing descends to the gutter and moral turpitude, perhaps sympathetically as they are unable to handle stress and perhaps just giving in to baser vices.See also
Ronald B. Tobias, 20 Master Plots, and how to build them, Cincinnati: Writer’s Digest Books, 1993
For centuries, writers and critics have tried to put stories into basic categories. I’ve written about the scientific quest for universal plot types using the Hedonometer and the theories of Kurt Vonnegut. My colleague Mark Nichol has written about several lists of types of plots: three types, seven types, another seven types, twenty types, and thirty six types. Before I reread Mark’s article, I thought I could combine them all and write my own article called The 69 Types of Plots. Then I heard about the 1928 book Plotto, where dime store novelist William Wallace Cook comes up with 1,462 basic plots. So it never ends.
Is it really true that all stories fit into rigid plot types? Maybe not. Even Plotto‘s categories don’t always seem rigid to me. But human nature does dictate certain rules. There’s a reason why the Computational Story Laboratory’s Hedonometer has a story type “rise then fall then rise” but not one called “rise rise rise rise.” Our emotions need a contrasting break. If you write an experimental story without either conflict or plot or character development, the result will probably not be innovative so much as it will be boring. If you decide to be clever by not tying up any loose ends, you will succeed in frustrating your reader instead of delighting him. No, certain plots are universally attractive, even if we don’t understand why. Even business proposals are easier to adopt if they have a plot.
The theories of psychoanalyst Carl Jung has deeply influenced several list-makers, such as Joseph Campbell (The Hero with a Thousand Faces) and Christopher Booker (The Seven Basic Plots). Jung’s mythology has lost the lion’s share of the popularity it once held. But the fact that stories all over the world have common elements: that’s more than a theory. Joseph Campbell describes 17 stages from Departure, Initiation, and Return. Christopher Booker’s meta-plot has five elements:
*Anticipation
*Dream
*Frustration
*Nightmare
*Resolution
Another theory which you might have learned in school says there are four types of plots. Here is my take on them:
*Dramatic – the traditional chronological story, with a climax and a resolution.
*Episodic – chronological but less linear and more loose, often made up of separate character-based episodes instead of a single story.
*Parallel – two chronological stories are woven together. The focus may shift back and forth from the events of one character to the other.
*Flashback – not chronological: events from the past are sometimes presented after events of the present. This can be interesting but confusing.
When I looked at the lists in Mark’s article, I realized that some items are not mutually exclusive. Some lists have a different focus and basic types appear on more than one list. Also, your story can have more than one basic plot or conflict. The longer your story is, the longer you need to hold your reader’s interest, and the more plot elements or conflicts you will need to include. In Plotto, William Wallace Cook makes it to 1,462 by combining and recombining plot elements.
One common list of plot types (man against x, man against y, man against z, etc.) is actually a list of conflict types, several of which can appear in a single story.
In a classic amnesia tale, a man regains consciousness with no memory of who he is. He realizes he has driven his car off the road into a snowbank (or into a hole, making him a “man in a hole.”) He is able to start the car (person vs. technology) without freezing to death (person vs. nature). He goes to the home address on his driver’s license and convinces the hostile woman who answers the door – presumably his wife – to let him in (person vs. person) while hiding the fact that he doesn’t remember who she is. His personal calendar tells him he has an appointment in two hours, where he pretends to remember the woman he’s meeting with, learning that they are leaders in a criminal conspiracy (person vs. society). That night, he dreams about his family and associates, He is tempted to deny the evil that he sees (person vs. self) and the fact, as it turns out, that he has dreamed actual events (person vs. supernatural). Aware now of what kind of life he has led, he must decide whether to change his life or continue on the same destructive path (person vs. higher power).Basic Plot Types (69 of them)
Finally, here’s a list of all the plot types referred to in Mark Nichol’s article:
*Overcoming the Monster
*Rags to Riches
*Voyage and Return
*Comedy
*Tragedy
*Rebirth
*
Person versus higher power/fate
*Person versus self
*Person versus person
*Person versus society
*Person versus nature
*Person versus the supernatural
*Person versus technology
*
Quest
*Adventure
*Pursuit
*Rescue
*Escape
*Revenge
*The Riddle
*Rivalry
*Underdog
*Temptation
*Metamorphosis
*Transformation
*Maturation
*Love
*Forbidden Love
*Sacrifice
*Discovery
*Wretched Excess
*Ascension
*Descension
*
Supplication
*Deliverance
*Crime Pursued by Vengeance
*Vengeance taken for kindred upon kindred
*Pursuit
*Disaster
*Falling Prey to Cruelty of Misfortune
*Revolt
*Daring Enterprise
*Abduction
*The Enigma
*Obtaining
*Enmity of Kinsmen
*Rivalry of Kinsmen
*Murderous Adultery
*Madness
*Fatal Imprudence
*Involuntary Crimes of Love
*Slaying of a Kinsman Unrecognized
*Self-Sacrificing for an Ideal
*Self-Sacrifice for Kindred
*All Sacrificed for Passion
*Necessity of Sacrificing Loved Ones
*Rivalry of Superior and Inferior
*Adultery
*Crimes of Love
*Discovery of the Dishonor of a Loved One
*Obstacles to Love
*An Enemy Loved
*Ambition
*Conflict with a God
*Mistaken Jealousy
*Erroneous Judgement
*Remorse
*Recovery of a Lost One
*Loss of Loved Ones
If that’s not enough, you can always try Plotto. The system is a little complicated, though.
Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily!Keep learning! Browse the Fiction Writing category, check our popular posts, or choose a related post below:Stop making those embarrassing mistakes! Subscribe to Daily Writing Tips today!
*You will improve your English in only 5 minutes per day, guaranteed!
*Subscribers get access to our archives with 800+ interactive exercises!
*You’ll also get three bonus ebooks completely free!Try It Free Now
Register here: http://gg.gg/oygty
https://diarynote-jp.indered.space
*Plots B V
*Plots B =
*Plots B 2
Find plots and land for Sale in B-17 Islamabad through Zameen.com, Pakistan’s largest website for plots - Pg 3. Student often wonder how can they plot a scatter plot. Typically, a scatterplot will be made using some sort of computational software, like Excel. Usually, the styles and color schemes may change a bit, but in general terms the scatter plot you can make with this grapher looks very similar to those provided by Excel or any other different.Disciplines > Storytelling > Plots > Tobias’ 20 PlotsThe 20 Plots | See also
Ronald Tobias, in his popular and practical book, 20 Master Plots, and how to build them, describes 20 common story plots and gives lots of detail on how to construct complete stories around them.The 20 Plots1. Quest
The hero searches for something, someone, or somewhere. In reality, they may be searching for themselves, with the outer journey mirrored internally. They may be joined by a companion, who takes care of minor detail and whose limitations contrast with the hero’s greater qualities.2. Adventure
The protagonist goes on an adventure, much like a quest, but with less of a focus on the end goal or the personal development of hero hero. In the adventure, there is more action for action’s sake. 3. Pursuit
In this plot, the focus is on chase, with one person chasing another (and perhaps with multiple and alternating chase). The pursued person may be often cornered and somehow escape, so that the pursuit can continue. Depending on the story, the pursued person may be caught or may escape. 4. Rescue
In the rescue, somebody is captured, who must be released by the hero or heroic party. A triangle may form between the protagonist, the antagonist and the victim. There may be a grand duel between the protagonist and antagonist, after which the victim is freed. 5. Escape
In a kind of reversal of the rescue, a person must escape, perhaps with little help from others. In this, there may well be elements of capture and unjust imprisonment. There may also be a pursuit after the escape. 6. Revenge
In the revenge plot, a wronged person seeks retribution against the person or organization which has betrayed or otherwise harmed them or loved ones, physically or emotionally. This plot depends on moral outrage for gaining sympathy from the audience. 7. The Riddle
The riddle plot entertains the audience and challenges them to find the solution before the hero, who steadily and carefully uncovers clues and hence the final solution. The story may also be spiced up with terrible consequences if the riddle is not solved in time. 8. Rivalry
In rivalry, two people or groups are set as competitors that may be good hearted or as bitter enemies. Rivals often face a zero-sum game, in which there can only be one winner, for example where they compete for a scarce resource or the heart of a single other person. 9. Underdog
The underdog plot is similar to rivalry, but where one person (usually the hero) has less advantage and might normally be expected to lose. The underdog usually wins through greater tenacity and determination (and perhaps with the help of friendly others). 10. Temptation
In the temptation plot, a person is tempted by something that, if taken, would somehow diminish them, often morally. Their battle is thus internal, fighting against their inner voices which tell them to succumb.Plots B V 11. Metamorphosis
In this fantastic plot, the protagonist is physically transformed, perhaps into beast or perhaps into some spiritual or alien form. The story may then continue with the changed person struggling to be released or to use their new form for some particular purpose. Eventually, the hero is released, perhaps through some great act of love. 12. Transformation
The transformation plot leads to change of a person in some way, often driven by unexpected circumstance or event. After setbacks, the person learns and usually becomes something better. 13. Maturation
The maturation plot is a special form of transformation, in which a person grows up. The veils of younger times are lost as they learn and grow. Thus the rudderless youth finds meaning or perhaps an older person re-finds their purpose. Plots B = 14. LovePlots B 2
The love story is a perennial tale of lovers finding one another, perhaps through a background of danger and woe. Along the way, they become separated in some way, but eventually come together in a final joyous reunion. 15. Forbidden Love
The story of forbidden love happens when lovers are breaking some social rules, such as in an adulterous relationship or worse. The story may thus turn around their inner conflicts and the effects of others discovering their tryst. 16. Sacrifice
In sacrifice, the nobler elements of the human sprit are extolled as someone gives much more than most people would give. The person may not start with the intent of personal sacrifice and may thus be an unintentional hero, thus emphasizing the heroic nature of the choice and act. 17. Discovery
The discovery plot is strongly focused on the character of the hero who discovers something great or terrible and hence must make a difficult choice. The importance of the discovery might not be known at first and the process of revelation be important to the story. 18. Wretched Excess
In stories of wretched excess, the protagonist goes beyond normally accepted behavior as the world looks on, horrified, perhaps in realization that ’there before the grace of God go I’ and that the veneer of civilization is indeed thin. 19. Ascension
In the ascension plot, the protagonist starts in the virtual gutter, as a sinner of some kind. The plot then shows their ascension to becoming a better person, often in response to stress that would defeat a normal person. Thus they achieve deserved heroic status. 20. Descension
In the opposite to ascension, a person of initially high standing descends to the gutter and moral turpitude, perhaps sympathetically as they are unable to handle stress and perhaps just giving in to baser vices.See also
Ronald B. Tobias, 20 Master Plots, and how to build them, Cincinnati: Writer’s Digest Books, 1993
For centuries, writers and critics have tried to put stories into basic categories. I’ve written about the scientific quest for universal plot types using the Hedonometer and the theories of Kurt Vonnegut. My colleague Mark Nichol has written about several lists of types of plots: three types, seven types, another seven types, twenty types, and thirty six types. Before I reread Mark’s article, I thought I could combine them all and write my own article called The 69 Types of Plots. Then I heard about the 1928 book Plotto, where dime store novelist William Wallace Cook comes up with 1,462 basic plots. So it never ends.
Is it really true that all stories fit into rigid plot types? Maybe not. Even Plotto‘s categories don’t always seem rigid to me. But human nature does dictate certain rules. There’s a reason why the Computational Story Laboratory’s Hedonometer has a story type “rise then fall then rise” but not one called “rise rise rise rise.” Our emotions need a contrasting break. If you write an experimental story without either conflict or plot or character development, the result will probably not be innovative so much as it will be boring. If you decide to be clever by not tying up any loose ends, you will succeed in frustrating your reader instead of delighting him. No, certain plots are universally attractive, even if we don’t understand why. Even business proposals are easier to adopt if they have a plot.
The theories of psychoanalyst Carl Jung has deeply influenced several list-makers, such as Joseph Campbell (The Hero with a Thousand Faces) and Christopher Booker (The Seven Basic Plots). Jung’s mythology has lost the lion’s share of the popularity it once held. But the fact that stories all over the world have common elements: that’s more than a theory. Joseph Campbell describes 17 stages from Departure, Initiation, and Return. Christopher Booker’s meta-plot has five elements:
*Anticipation
*Dream
*Frustration
*Nightmare
*Resolution
Another theory which you might have learned in school says there are four types of plots. Here is my take on them:
*Dramatic – the traditional chronological story, with a climax and a resolution.
*Episodic – chronological but less linear and more loose, often made up of separate character-based episodes instead of a single story.
*Parallel – two chronological stories are woven together. The focus may shift back and forth from the events of one character to the other.
*Flashback – not chronological: events from the past are sometimes presented after events of the present. This can be interesting but confusing.
When I looked at the lists in Mark’s article, I realized that some items are not mutually exclusive. Some lists have a different focus and basic types appear on more than one list. Also, your story can have more than one basic plot or conflict. The longer your story is, the longer you need to hold your reader’s interest, and the more plot elements or conflicts you will need to include. In Plotto, William Wallace Cook makes it to 1,462 by combining and recombining plot elements.
One common list of plot types (man against x, man against y, man against z, etc.) is actually a list of conflict types, several of which can appear in a single story.
In a classic amnesia tale, a man regains consciousness with no memory of who he is. He realizes he has driven his car off the road into a snowbank (or into a hole, making him a “man in a hole.”) He is able to start the car (person vs. technology) without freezing to death (person vs. nature). He goes to the home address on his driver’s license and convinces the hostile woman who answers the door – presumably his wife – to let him in (person vs. person) while hiding the fact that he doesn’t remember who she is. His personal calendar tells him he has an appointment in two hours, where he pretends to remember the woman he’s meeting with, learning that they are leaders in a criminal conspiracy (person vs. society). That night, he dreams about his family and associates, He is tempted to deny the evil that he sees (person vs. self) and the fact, as it turns out, that he has dreamed actual events (person vs. supernatural). Aware now of what kind of life he has led, he must decide whether to change his life or continue on the same destructive path (person vs. higher power).Basic Plot Types (69 of them)
Finally, here’s a list of all the plot types referred to in Mark Nichol’s article:
*Overcoming the Monster
*Rags to Riches
*Voyage and Return
*Comedy
*Tragedy
*Rebirth
*
Person versus higher power/fate
*Person versus self
*Person versus person
*Person versus society
*Person versus nature
*Person versus the supernatural
*Person versus technology
*
Quest
*Adventure
*Pursuit
*Rescue
*Escape
*Revenge
*The Riddle
*Rivalry
*Underdog
*Temptation
*Metamorphosis
*Transformation
*Maturation
*Love
*Forbidden Love
*Sacrifice
*Discovery
*Wretched Excess
*Ascension
*Descension
*
Supplication
*Deliverance
*Crime Pursued by Vengeance
*Vengeance taken for kindred upon kindred
*Pursuit
*Disaster
*Falling Prey to Cruelty of Misfortune
*Revolt
*Daring Enterprise
*Abduction
*The Enigma
*Obtaining
*Enmity of Kinsmen
*Rivalry of Kinsmen
*Murderous Adultery
*Madness
*Fatal Imprudence
*Involuntary Crimes of Love
*Slaying of a Kinsman Unrecognized
*Self-Sacrificing for an Ideal
*Self-Sacrifice for Kindred
*All Sacrificed for Passion
*Necessity of Sacrificing Loved Ones
*Rivalry of Superior and Inferior
*Adultery
*Crimes of Love
*Discovery of the Dishonor of a Loved One
*Obstacles to Love
*An Enemy Loved
*Ambition
*Conflict with a God
*Mistaken Jealousy
*Erroneous Judgement
*Remorse
*Recovery of a Lost One
*Loss of Loved Ones
If that’s not enough, you can always try Plotto. The system is a little complicated, though.
Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily!Keep learning! Browse the Fiction Writing category, check our popular posts, or choose a related post below:Stop making those embarrassing mistakes! Subscribe to Daily Writing Tips today!
*You will improve your English in only 5 minutes per day, guaranteed!
*Subscribers get access to our archives with 800+ interactive exercises!
*You’ll also get three bonus ebooks completely free!Try It Free Now
Register here: http://gg.gg/oygty
https://diarynote-jp.indered.space
コメント